Wednesday, 11 September 2013

7 Reasons why you should buy Canon 600D(18 Megapixel)




1.The camera has a Creative Auto mode which is targeted at beginners who have grown out of using the Scene Intelligent Auto mode, allowing you to change a few key settings using the LCD screen via a simple slider system for changing the aperture and exposure compensation, or Background and Exposure as the camera refers to them. Creative Auto has been extended with the introduction of Basic +. Essentially a more extreme version of the well-established Picture Styles, this offers nine options including Standard, Vivid, Soft, Warm, Intense, Cool, Brighter, Darker and Monochrome, all of which can be interactively tweaked to suit your taste.

2. Reflecting its more consumer-friendly nature, the 600D offers a number of creative filters, as previously seen on Canon's range of compact cameras. Soft Focus dramatizes an image and smooths over any shiny reflections, Grainy Black and White creates that timeless look, Fish-eye mimics the distortion provided by an expensive fish-eye lens, Toy Camera adds vignetting and color shift, and Miniature Effect makes a scene appear like a small-scale model, simulating the look from a tilt-shift lens. All of these filters can be applied to both JPEG and RAW files either before or after taking the picture.

3. The available white balance settings are Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent and Custom; there is no way to enter a Kelvin value manually. You can fine-tune any of the presets using the White Balance Correction feature. The ISO speed can be changed by pressing the ISO button and turning the control wheel in front of it. You do not have to hold down the button while turning the wheel. The ISO speed can be set from ISO 100 to ISO 6,400 in full-stop increments. If you turn ISO Expansion on in the Custom Functions menu, you can even dial in ISO 12,800; a boosted setting. Auto ISO is also available. The chosen ISO speed is also displayed in the viewfinder.

4. The Live View button is within easy reach of your right thumb. Using this button it is easy to enter Live View, but it takes a surprising amount of time for the camera to actually display the live image (think several seconds). A grid line display and very useful live histogram can be enabled to help with composition and exposure, and you can zoom in by up to 10x magnification of the image displayed on the LCD screen. Focusing in Live View has been simplified, you no longer need to use the * button to initiate auto focus but can use a half-press of the shutter release as normal.

5. Once everything is set up, you start filming by hitting the Live View/Record button on the back of the camera. The EOS 600D / T3i will not automatically adjust focus during filming, but you can initiate auto focus at any time while recording a clip. However, be warned that this can do more harm than good, as the microphone can pick up the sound of the focus motor, and the subject might even go out of focus for a few seconds. Setting a small aperture and relying on depth of field for focus is a better idea. Of course you may wish to utilise the DSLR's ability to produce footage with a shallow depth of field, but in that case, it might be a wise idea to purchase a couple of third-party accessories that make manual focusing and focus pulling easier.

6. The EOS 600D's built-in pop-up flash now features a built-in Integrated Speedlite Transmitter for controlling up to two groups of off-camera Speedlites without the need for an external transmitter. Note that it doesn't have a more advanced PC Sync port for connecting the camera to external lights, limiting the 600Ds use in studio environments. There's also the expected hotshoe for use with one of Canon's external flashguns.

7. the Canon EOS 600D / Rebel T3i to be a responsive and versatile camera that almost never got in the way of picture taking. As noted earlier, the auto focus was fast when using the optical viewfinder, and not always painstakingly slow when using Live View, either. Its continuous shooting speed is about average for its class, though its six-frame raw buffer is smaller than we'd like. It takes a bit of time for the camera to fully start up if you wait for the sensor cleaning cycle to be completed, but as sensor cleaning can always be interrupted at a half-press of the shutter release, this is not a real issue. The only thing we found to be truly and somewhat inexplicably slow was entering Live View - it invariably took several seconds for the camera to raise its mirror and display the live image.

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